How audio engineers tweak music for the iPod age

The new "Mastered for iTunes" feature from Apple may sound like a white elephant, but Ars Technica has looked into the process and spoken to people in the know. Worth a read for anyone who is into their digital music.

“In an age when Apple has become the top music retailer without selling a single physical disc, audio engineers are increasingly creating specially mastered versions of songs and albums designed to counteract the audio degradation caused by compression. Though audiophiles typically scoff at paying for compressed audio, preferring vinyl or high-end digital formats such as DVD-A, mastering engineers are doing their best to create digital masters that can pass through Apple's iTunes algorithms with minimal sonic corruption.

To highlight work done to improve the sound of compressed music files, Apple recently launched a "Mastered for iTunes" section on the iTunes Store. It now also provides a set of recommendations for engineers to follow when preparing master files for submission to the iTunes Store. To qualify for the "Mastered for iTunes" label, Apple says that files should be submitted in the highest resolution format possible, and remastered content should sound significantly better than the original.

How does this work? Ars spoke with Masterdisk Chief Engineer Andy VanDette, who recently completed a project remastering the bulk of Rush's back catalogue. As part of the process, VanDette created special versions of each song specifically for uploading to the iTunes Store. He described the often lengthy, trial-and-error process of trying to make iTunes tracks sound as close as possible to polished CD remasters.”